Born in 1994, in Huy, Belgium, Mégane Likin lives and works in Brussels. A visual arts graduate in both Painting and Drawing, Mégane Likin invites us on a journey to understand the transformation of events, reinventing her memories over time. Her approach is characterized by a subtle play of erasure—an artistic gesture that, far from concealing, reveals the essence of what has disappeared, making the invisible visible. Her creative process leads the viewer on a journey that confronts their own memories and the subjectivity of their mind. Her small paintings are like windows—a way of pausing the image and fixing the passing of time. Through her landscapes, it is the trace of time that emerges, a trace that invites us to question what lies just beyond the horizon. This dialogue between erasure and appearance, between the visible and the invisible, creates a tension where the ephemeral takes on its full meaning. Mégane reminds us that each moment is unique, irreversible, and that no experience can ever be lived the same way twice. Having widely exhibited in Belgium, she has received several awards during her career and her works have been placed in prominent European private art collections. 

Mégane Likin

Un trou dans la mémoire 1

Un trou dans la mémoire InSitu

Un trou dans la mémoire Close3

Un trou dans la mémoire Close2

Un trou dans la mémoire Close1

Painting

Un trou dans la mémoire (A gap in memory)

Opacité 1

Opacité Close1

Opacité Close2

Opacité Close3

Opacité InSitu

Opacité (Opacity)

L’arbre silencieux 1

L’arbre silencieux InSitu

L’arbre silencieux close3

L’arbre silencieux close2

L’arbre silencieux close

L’arbre silencieux (The silent tree)

à l’orée de la lumière 1

à l’orée de la lumière InSitu

à l’orée de la lumière 1 Close3

à l’orée de la lumière 1 Close2

à l’orée de la lumière Close1

À l’orée de la lumière (At the edge of the light)

Born in 1992 in Seattle, Washington, Brandon Elijah Johnson lives and works in Brooklyn, New York.

As we step into Johnson's world, somewhere between imagination and reality, we become a part of his visual diary. A collector of images, from photographs found on the internet to snapshots taken with his phone, Johnson reinterprets familiar ordinary scenes in his paintings and drawings, perhaps in an attempt to freeze a moment in time. He takes reference images from his direct environment and intentionally - or not - offers a representative picture of today’s world. His vivid compositions draw from pop culture, embrace pastiche, and remain attached to the here and now. As part of a generation willingly returning to figurative painting, Johnson moves away from pure representation, at times infusing a touch of playfulness, and distancing himself from painterly conventions. Between fiction and documentary reality, Johnson’s works reveal a part of our collective memory.

Brandon Elijah Johnson

newcube Edits &#8211; 245

newcube Edits &#8211; 246

newcube Edits &#8211; 248

newcube Edits &#8211; 247

True Romance

newcube Edits &#8211; 253

newcube Edits &#8211; 249

newcube Edits &#8211; 254

newcube Edits &#8211; 255

So how is the painting stuff?

newcube Edits &#8211; 252

newcube Edits &#8211; 251

newcube Edits &#8211; 250

Midnight at the Zany Daisy

newcube Edits &#8211; 259

newcube Edits &#8211; 260

newcube Edits &#8211; 261

Almamater

Born in Tehran, Iran in 1983, Homa Arkani lives and works in Brussels, Belgium. With a MFA from KASK University in Gent, Belgium, Arkani’s artistic journey reflects profound socio-cultural concerns. Initially focusing on figurative paintings related to social issues, particularly those affecting women, Homa’s oeuvre is a testament to her personal journey as a woman and an artist, deeply influenced by luminaries such as Rumi, Peter Bruegel, Hieronymus Bosch, and Van Gogh. Her monochromatic work draws parallels between the strength and resilience of women and the nurturing aspects of nature. Creating dreamlike landscapes that reminisce body shapes or female attributes, she playfully approaches reality until it becomes abstract. 

Search for ""

Un trou dans la mémoire (A gap in memory)

Opacité (Opacity)

L’arbre silencieux (The silent tree)

À l’orée de la lumière (At the edge of the light)

True Romance

So how is the painting stuff?

Midnight at the Zany Daisy

Almamater

Portrait 2

Untitled

Portrait 3

Portrait 1

Unfragmented Us

Unfragmented Us

Unfragmented Us

Search for .css-g5b1ap{display:block;}@media screen and (min-width: 1200px){.css-g5b1ap{display:inline-block;}}""

Un trou dans la mémoire (A gap in memory)

Opacité (Opacity)

L’arbre silencieux (The silent tree)

À l’orée de la lumière (At the edge of the light)

True Romance

So how is the painting stuff?

Midnight at the Zany Daisy

Almamater

Portrait 2

Untitled

Portrait 3

Portrait 1

Unfragmented Us

Unfragmented Us

Unfragmented Us

Search for ""